For a week in which Patton Oswalt quit reading DC comics forever, the final batch of new DC debuts were quite tame. There were no great travesties of inappropriateness like Catwoman, nor were there any stand-outs of the caliber of Wonder Woman or Animal Man. This month of relaunched comics ended with a casual stroll across the finish line. 52 new titles in one month, some of them going back for multiple reprintings, all of them helping to bring new (or lapsed) eyes to the comic book side of the DC Universe.
Though I don’t have as much to say about this week’s tepid DC releases as I did about the last three Wednesdays, a few of the new #1s stood out as better than the rest.
All-Star Western wins the Best of the Week Award, and the Better-Than-Expected-And-I-Expected-Goodness Award, so it’s a definite double-threat. As I wrote in my preview of the series, it looks like the serialized nature will benefit the story, and the first issue ends with a compelling hook. Really, though, the $3.99 comic is an extra-length showcase for Moritat’s elastic, lush, evocative artwork.
You know how there are all these art books about Alex Toth and Al Williamson and Bill Everett coming out these days? Moritat’s work on the First Wave Spirit comic and his work on this All-Star Western will be given that kind of retrospective in another decade or two. He’s of that caliber, and he seems out of place among the typical DC superhero fare because of it.
Luckily, Peter Milligan and Mikel Janin’s Justice League Dark doesn’t qualify for that last category. Janin’s ink wash provides an almost pastel fluffiness under Ulises Arreloa’s delicate coloring, and such a style provides a fantastical underpinning for the schizophrenic tragedy and general unease of issue #1. It’s definitely a Vertigo-ish take on an alterna-Justice League, and when Superman, Batman, and Wonder Woman show up, it recalls the proto-Vertigo tales from Alan Moore’s Swamp Thing or Grant Morrison’s Animal Man. In other words, these shiny heroes don’t fit into this world, and seem corrupted by the experience.
The best of the traditional superhero comics of the week comes from the hands of Geoff Johns (does that guy ever sleep?) and Ivan Reis, as they provide a take on Aquaman that pulls the general audience reaction to the character into the text itself. This is an Aquaman who knows he’s seen as the lamest of the superheroes, and this first issue directly addresses that point, as the King of the Seas directly addresses some of his most dismissive critics, played here in the form of an annoying blogger. While that may seem like a goofy contrivance, Johns and Reis nicely balance the genuine nobility of the character with the metatextual critical elements to reinforce the idea that, yeah, Aquaman actually is cooler than you might think. And with the horrors brewing beneath the ocean’s surface, he may not get to remain on land as long as the new status quo might have you believe.
All-Star Western is great, Justice League Dark is good, and Aquaman is a fun reconceptualization of the character, but the rest of the DC books this week don’t have much gusto behind them. George Perez’s Superman was a throwback to the same kind of stories we would have seen from him 20 years ago, and Mike Costa’s Blackhawks was even closer to the G. I. Joe in the DCU template than I imagined. The problem with the latter is that a superhero espionage book of this sort falls short of the best of the Nick Fury stories from Marvel, whether it’s the Jim Steranko visual thrills or the Jonathan Hickman clockwork narrative. Blackhawks is a clean first issue, but it doesn’t demand attention.
Ron Marz and Sami Basri’s Voodoo #1 subverts some of the sexual politics that derailed a couple of last week’s comics, and though a cursory glance at this first issue would give the impression that this is just another gratuitous, sexist comic from DC, Marz upends reader expectations by providing a horrific twist. But there’s not much to the first issue beyond that, even if the final two sequences in the comic point toward a direction for the series that could provide the potential for even more surprises. Put this one in the category of Has Possibilities, Revisit in the Future.
Teen Titans provides some rebooted versions of some of the same characters we’ve seen in comics with this same title for almost a decade, and yet it’s just as stale as any generic, uninspired comic you might pick up that involves a fast car and a looming attack helicopter. It’s like a mid-range sports car insert comic, with costumed characters flying around because the ad exec used to like to read comics when he was ten.
Philip Tan busts out a new style for The Savage Hawkman, or maybe Sunny Gho provides a heroic coloring job to make sense out of Tan’s normally murky panels, but this is ultimately a comic about a Hulked-out Hawkman, and neither lives up to the Indiana Jones meets alien artifacts premise nor provides a clean reboot that positions the character for a new audience. It’s not a complete mess of a comic, but it’s just messy enough to be quickly forgotten amongst all the rest.
I, Vampire is a full issue of stage setting, and if you can hook into Andrea Sorrentino’s Jae Lee pastiche, and the accompanying somber mood, this comic might sink its teeth into you. But Joshua Hale Fialkov doesn’t give us more than a nibble of a story so far. This one’s lightweight for a single issue, and, as predicted this summer, will probably read better as part of a collected edition.
The Fury of Firestorm: The Nuclear Men (a name changed as the book was in production, and we’re all grateful they didn’t go with “The Fury of Firestorms” as their plural of choice) is a reboot of the entire Firestorm concept, and it’s one that would have seemed clumsy even during the days when DC was trying to sell readers on something like Chris Claremont’s Sovereign Seven. The Flash is even less substantial than any issue of the previous run of the series, and Green Lantern: New Guardians reboots Kyle Rayner’s origin for no apparent reason, then repeats the scene half a dozen times with different colors of the rainbow.
Batman: The Dark Knight is ugly on the inside and outside and all around. Any potential readers of this comic should flip to the final page of the story. If that splash page (a) looks good to you, and (b) seems like an interesting direction for the pictured characters, then (c) you might actually like this comic. Everyone else in the world is better off staying far, far away from this hair metal version of Batman and Gotham City.
All in all, though I was doubtful after Week One, most of the DC titles do work as opening issues. They do provide some kind of fresh perspective on these characters, even if it’s not always a perspective that particularly interests me as a reader. But I’m not their target audience. I know this because, unlike Patton Oswalt, I took the Nielson survey about the new DC relaunches, the online version at least. I dutifully filled out the first page, which had me rank which of the new 52 I purchased, which ones I considered buying but didn’t, and which ones didn’t interest me at all.
When I clicked the bubbles for all 52 issues, in the “I bought this” column, the survey ended immediately, saying, “Thank you for filling out this survey. Unfortunately, you are too far gone for us to help. Looks like you’ll buy anything we slap together and staple in the middle.” Okay, it didn’t actually say that, but it did tell me that I didn’t qualify to take the survey after I answered the questions on page one. I’m not who they’re trying to get to read their books.
As I wrap up this final post about DC’s new 52, I suppose it makes sense to look back on my predicted Top 10 and my actual Top 10, at least after the first set of opening issues. I’ve said all along that the real evaluation of the success of the DC relaunch, both aesthetically and financially, will come over the winter months, when the initial art teams start to miss deadlines and enough issues have been released to get a true sense of the quality of each series. First issues are easier to do well than third or fourth issues, usually, and it’s rare that a comic kicks up in quality that quickly. It’s happened before, with Scalped, with Sandman, with Preacher. But we’re not talking about many of these new DC comics reaching that kind of caliber. Not many at all.
So, my original, predicted Top 10:
- Wonder Woman
- Action Comics
- Batwoman
- Swamp Thing
- Batman
- Frankenstein, Agent of S.H.A.D.E.
- Animal Man
- OMAC
- Aquaman
- Stormwatch
My real life Top 10, after reading all 52 first issues, after a bit of thoughtful reflection and eager re-reading :
- Wonder Woman
- Frankenstein, Agent of S.H.A.D.E.
- Animal Man
- All-Star Western
- Batman
- Batwoman
- JLA Dark
- OMAC
- Swamp Thing
- Batman and Robin
Seven out of ten, with the biggest upward movers being All-Star Western, JLA Dark, and Batman and Robin, completely knocking Action Comics, Aquaman, and Stormwatch off the list. Overall, I was pretty spot-on with most of my predictions from the summer, if the first issues are indicative of what’s to follow. Even with my grumbling or mockery over the past few weeks (or months, if you count the full DCU Guide), I do have to admit that the overall quality of the DC lineup has significantly increased post-relaunch. DC may have had a handful of comics worth reading a year ago, but now they have two dozen. And while even the best of the best (aka my Top 10 list) may not go down in history as great accomplishments in graphic narrative, many of these new DC books will surely contend for Best of the Year material. One issue in, these are some of my favorite comics coming out right now, and I look forward to reading more.
Was the DC relaunch a success? Sure. Now what’s next?
Tim Callahan has read far more than these 52 comics this month. And now he needs a nap.
In terms of bringing back ‘lapsed’ comics readers and new customers at the physical stores, it was an utter disaster: every book but the very least promising ones wound up sold out from the comic shops before they even opened up. (This is my local experience, mind, but I’ve seen similar reports all over the place.) We’ll have to see some numbers on digital circulation to see how it did on that side, though.
In all the coverage on these, I haven’t managed to find an answer to my most pressing question: I’m assuming The Flash is Barry, but does Wally West exist/have a role in this new reality? As a lapsed reader who may well pick some of these up digitally once the price drops, my buying decision on Flash entirely depends on the appearance or promise of the appearance of Wally…
@TimCallahan:
I’m really happy about Wonder Woman turning out to be the best relaunch. Azzarello and Chiang make it feel like a Vertigo book, not only that a GOOD Vertigo book. I hope that continues. I can’t believe the negative reaction I’m hearing from long time comics fans on this title. What’s your take on those cretins?
Action Comics was disappointing. I won’t continue with that one. Grant Morrison’s heart isn’t in it, so neither am I.
I never even considered any of the Geoff Johns written titles.
For Swamp Thing, I would have gone with a 1970’s grindhouse blaxplotation spin on it. “SWAMP THANG”.
I think that I probably represent at least part of DC’s target demographic.
I used to collect comics when I was in high school and college, and ultimately stopped for a variety of reasons, including cost. In more recent years, I’m no quite so cash-strapped, and especially given the rise of digital comics on the iPad, I was interested again, but where to start? I had some basic familiarity, but the dense continuity of many comics are nigh-impenetrable to outsiders.
Thus: New 52
I picked up about half of the new titles, with the expectation of continuing to issue 2 for maybe half of those. That proportion turned out to be pretty accurate, though some of the ones I’m continuing are not the ones I had predicted. (My top 5 is probably Wonder Woman, Swamp Thing, Animal Man, Batwoman, and Action Comics, with surprise wild-card Aquaman)
I won’t be continuing all of them, but the New 52 turned at least one lapsed comics fan back into an active reader.
Another lapsed reader who jumped into regular trips to my comic shop a few months ago, so this relaunch was well-timed for me. I bought 17 of the new 52 and will continue all of them into the second month and then cull from there probably down to around 8-10.
My standouts are Wonder Woman, Swamp Thing, Frankenstein, Hawkman and Deadman.
Also impressed by OMAC and Demon Knights. Hopefully, these can keep up the fun.
On my really need to impress me with #2 list are Superboy, Batwoman* and Resurrection Man.
Overall, a great month of reading. I’m glad they DC did it.
*I’ll probably keep returning just for those amazing double-spreads
In August, the only DC title I bought was Batman, Inc.
In October I’m going to buy the second issue of Animal Man, Action Comics, Wonder Woman, Batman, The Flash, Batwoman, Justice League, and Swamp Thing. (The last two are on probation.)
Based on that sample of one, I think DC can call this month a success.
I was never a comics fan as a kid, but recently I’d read a few of the famous trade collections, and this seemed interesting, so I decided I’d go for it and see what the whole event was all about; I got every new #1 on Comixology. I’ll be picking up issue #2s of slightly less than half, and I’m guessing I’ll drop another few the next month too, but that’s from 0 to 15-20 regular purchases for me.
Pretty big win for DC here.
Did you say you purchased Nerak in the survey? It’ll throw you right out if you did that.
Your top 10 is quite similar to my top 10. I thought Action Comics was great and I seem to have liked The Flash much more than you, but other than that our lists are about the same.
I’m someone who was reading quite a few DC comics before the relaunch, but too many of those were purchases of inertia. I was buying them because I bought them before and at one time really enjoyed them. On the whole I think the quality of month one was tremendous. There are more than enough good to great books to make me forget the downright terrible ones. I hope this continues.
As with the previous weeks, I read almost all of the DC offerings (and reviewed them) and it’s interesting to see how your thoughts line up. I thought All Star Western was excellent, but Justice League Dark left me so cold, I actually broke up with Peter Milligan as a writer. I’m afraid that in recent years, his stuff, especially for DC, has done almost nothing for me. When he’s good, he’s good, but he goes way too far into the weirdness quotient for my general likings.
I took the Nielson survey, and I got all the way to the end before it said I didn’t qualify, so I’m not exactly sure what that’s supposed to mean. I know what I like too much?
Now the big question is: how will the second month fare? And how many more creative teams will change before six months have passed? And which books will see it to a full year?
One thing is certain: I will no longer tolerate crappy series simply because, as Skoce says, of inertia. DC has made it a lot easier for me to jump ship if any series doesn’t make me happy.
Same thing happened to me. Made my wife wait almost 10 minutes for me to finish out the survey only to be told that I don’t qualify.
Out of 52 episodes, so far I’ve settled on 4 – Wonder Woman, Frankenstein, Deathstroke, & Justice League, though I may check out others when they come out in trade collections. My daughter (new to comics at the ripe young age of 15) is looking at Flash & will probably be reading my JL, too.
I was against the idea in theory (I don’t like change much), but it actually got me back into a comic shop for the first time in a couple of years. I stopped buying them regularly during a budget crunch several years ago and stopped following the stories when I got fed up with storylines I found tiresome, but I couldn’t help but be curious.
I picked up Batgirl #1 because I love Barbara Gordon, and Firestorm because I also love Gail Simone. Nightwing was sold out, and I wish I’d remembered to ask about Aquaman and Wonder Woman. I’m sure I’ll be going back soon, on a limited basis … don’t know if that counts as success for DC’s strategy or not.
I’m a lapsed silver ager who started reading again in the late 1980s and quit again a few years later. I picked up a few #1s out of curiousity and took the full survey. I probably won’t buy any more after this month… at my age, I just feel silly starting a new comic books collection.
Then again, I don’t think I’m who DC was targeting.
One other thing… I told a few people where I work about the evolution of DC characters and the re-launch and they actually thought I was making it up.
Tim!
I loved this series, and it was very helpful for a first-time comic-buyer. Are you planning on continuing this series beyond the #1s? I’d be interested in reading updates on what you thought about the comics each week, even if they were shorter than these giant posts.
Thanks!